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Blazsek Andras: Tapes


Temporal Extension of one instantaneous End (extension time optional)


Live music, stage installation, and live video.


The sonic elements featured in the installation are derived from microphones planted within two analog tape recorders. These devices, invented for the documentation, preservation and conservation of sound, are used to provide the voices that play protagonist to the piece: streamed through a computer, the sounds are subtly manipulated and played back onto surrounding speakers, thus accentuating specific defining characteristics of the devices themselves.

The resulting composition circles around the machines, situated at the center of a sculptural formation that consists of four speakers, two tape recorders (Akai 4000 DS and Tesla B 100) and usually a small neon strip lamp on supporting structure. The installation was exhibited in various venues in Budapest (HU), Prague (CZ), Lublin (PL), and Cologne (DE). The soundtrack titled Amigzaj 3 is available on Bandcamp.



Blazsek Andras: Tapes


Blazsek Andras: Tapes

audio-visual performance at Mediapark Cologne, 2013.


Blazsek Andras: Tapes at Skolska28 Galley Prague


Electronic Gate Cologne - eine Vortex Performance

audio-visual performances at Mediapark, Cologne, 2013


Blazsek Andras: Tapes at Musikfabrik Cologne


Blazsek Andras: Tapes at Musikfabrik Cologne


The performance was a dialog between analogue visual systems and machines made to preserve sound. The performers included András Blazsek, video artist Martin Blažíček, electronic musician and video artist Axel Pulgar, and Musikfabrik percussionist Dirk Rothbrust.


Synaesthesia – Performences

audio-visual performances at 2B Gallery, Budapest, 2012


Blazsek Andras: Tapes at 2B Gallery Budapest


"The ambient sound performance of Martin Blažíček and András Blazsek, opening the exhibition, was a metaphorical journey, based on an interpretation of pure intermedia, by now considered classical – an audiovisual noise-composition free of partial tones (i.e., composed of sine tones), ... At the concert, the magnetic tape turning silently in the tape-recorder and the sound-painting generated by its movement, as well as the image projected in real-time with the tape-recorder, comprise a nice metaphor for the conceptual interpretation of the medium." (Zsolt Sőrés)


Blazsek Andras: Tapes at 2B Gallery Budapest


Blazsek Andras: Tapes at 2B Gallery Budapest


Blazsek Andras: Tapes at 2B Gallery Budapest


Blazsek Andras: Tapes at 2B Gallery Budapest

2B Gallery, Budapest, 2012.